Related Paintings of unknow artist :. | Leoparden am failing a skilful klattrare,som yarn bout stamp am threading and forvarar sits loot among grenarna | Floral, beautiful classical still life of flowers.078 | The three Angels | Floral, beautiful classical still life of flowers.087 | Portrait of Elisabeth Farnese (1692-1766), Queen consort of Spain | Related Artists:
Simon de VosSimon de Vos (Antwerp, 20 October 1603-15 October 1676, Antwerp) was a Flemish Baroque painter of genre and cabinet pictures.
De Vos studied with Cornelis de Vos (1603-76), to whom he is not related, from 1615 until 1620. In 1620 he joined Antwerp's guild of St. Luke, and then he probably travelled to Rome where he came under the influence of the "low-life" genre paintings of the Bentvueghels and the bambocciate. A Caravaggesque influence, by way of the German painter Johann Liss active in Italy during the 1620s is discernible in De Vos's paintings from this time on. In contrast to the earlier "low-life" paintings, works from the late 1620s until around 1640, which were made after returning to Antwerp, are mostly small "merry company" and courtly genre scenes reminiscent of contemporary Dutch painters Dirck Hals and Pieter Codde. After 1640, De Vos turned away from genre scenes altogether and painted mostly small cabinet paintings of history subjects, influenced stylistically at first by Peter Paul Rubens and then increasingly by Anthony van Dyck. Examples include The Beheading of St. Paul (1648) in the Royal Museum of Fine Arts, Antwerp.
He married Catharina van Utrecht, the sister of Adriaen van Utrecht, in 1628.
Juan Correa de VivarSpanish , c.1510-1566
was a Spanish painter,Correa's date of birth has been determined to be around 1510. Records show he grew up wealthy. When Juan was 17 or 18 years old he joined an artist workshop in Burgundy where he met with many other Spanish artists at the time, including Pedro de Cisneros whom he befriended. Juan's brother Eufrasia and Eufrasia's son Rodrigo also grew up to be artists. Rodrigo was apprenticed with his uncle, and continued some of his uncle's works after his death. In Mascaraque, Juan was a substantial landowner with a nice house where he did much of his painting. He took frequent trips but always stayed in the Toledo area. Juan was married and a religious man. It can be seen in his testament: a copy was found in the church files of Mascaraque. When he died, Juan split all his possessions between his nephew Rodrigo and the church of Mascaraque. Juan was a well-regarded painter during his life, but many records were lost. His works and life were brought to light again when the researcher and art historian Ceen Bermudez in 1800 published a dictionary of famous artists and included a brief article about his works and Italian influences. The full reconstruction of its biography has been primarily accomplished in the 20th century. Records show Juan died on April 16, 1566 in San Miguel. Juan's body was taken back to Mascaraque where he was buried, in the same plot where his parents were laid to rest. Many members of the artistic community came to the funeral service,
Adam Willaerts(July 21, 1577, London - April 4, 1664, Utrecht ) was a Dutch Golden Age painter.
Willaerts (occasionally Willarts, Willers) was born in London to Flemish parents who had fled from Antwerp for religious reasons. By 1585 the family lived in Leiden. From 1597 until his death, Adam lived in Utrecht, where he became a member of the Guild of St. Luke in 1611, and subsequently rose to dean in 1620. His sons Cornelis, Abraham, and Isaac followed in his footsteps.
He was known as a painter of river and canal pieces, coastal landscapes, fish-markets, processions, and genre scenes. He also painted villages and marine battle scenes.
